Don Patterson - 1197 Fair
Album: Goin’ Down Home
Year: 1963
More “hot” sounds than others. Mixed with Alcohol.
“Seksi” melodiler, alkolle tüketiniz.
Jimmy Smith - Summertime
Album: Master 2
Year: 1993
“It’s All About Manhattan”
“Psychedelicious” öncesi, 3 parçalık lounge serisi.
Psychedelicious ile yeterince funk ve neşeli temalara boğulacağınızı düşündüm. Bu yüzden, albüm öncesi “It’s All About Manhattan” adında 3 parçalık bir yayın yapmaya karar verdim.
Message from the Tribe - Beneficent
Tribe - Beneficent
An anthology of Tribe Records 1972-1977. Underground jazz and funk from Detroit collective of musicians that include Wendell Harrison, Phil Ranelin, Marcus Belgrave and others. Tribe as well as releasing records in the early 1970’s also used to produce a black awareness magazine for Detroit. In the early 1970’s Detroit was a city carrying with it the musical legacy of Motown as well as the title Motor City as one of the USA’s main car manufacturing centres. But, by 1970 Motown had moved to Los Angeles and the city’s car industry was in decline leaving Detroit in a cultural and industrial void. Out of this wasteland came Tribe. Over a five year period a group of creative jazz musicians from Detroit took control of their own lives by running their own label, Tribe Records, where they proudly put forward the message “Music is the healing force of the Universe.” Message from The Tribe contains music from this label, a mixture of Funk and deep Jazz. Tribe contains music by Wendell Harrison, Phil Ranelin, Marcus Belgrave, Doug Hammond and more.
Bu saatte ayrı bir tadı oluyor bunun.
Alpman - Backyard Dancing
Photo: Koral Sagular
Pazar süprizi!
İçinde Hammond kullanmadığım nadir parçalardan oldu.
Alpman - Rewind
www.facebook.com/alpmangunes
Miles Davis - Nature Boy
From “After Hours” 1962
Drums/Davullar — Larance Marable, Leroy Henderson
Guitar/Gitar — Gene Edwards, Joe Pass
Organ/Org — Richard “Groove” Holmes
Yarım yamalak çevirim;
Richard “Groove” Holmes, Jimmy Smith sonrasında hızla yükselen ilk Jazz organistlerinden birisiydi. Holmes’ın yüksek tempolu parçalardaki organ tonlaması parlak olmasına rağmen Balladlarda onun soundu insanda bir ton ağırlığında baskı yaratabilirdi. Bu albüm için Holmes’un bundan önceki 2 albümünün sound olarak karışımı diyebiliriz.
Bu üçlü (Gitarda; Gene Edwards ya da Joe Pass, davulda Larance Marable ya da Leroy Henderson, orgda Richard “Groove” Holmes) organ üzerinde blues, be-bop standartları konusunda güçlü bir örnektir.
Orjinal;
Richard “Groove” Holmes was one of the first jazz organists to emerge after the rise of Jimmy Smith (who would remain a lifelong influence). Holmes had a lighter tone on the more up-tempo pieces, but on the ballads (such as “Denise” on this set) his organ could give the impression of weighing a ton. This CD reissue combines together most of the music from Holmes’ two early albums: After Hours and Tell It like It ‘Tis. These trio renditions (with either Joe Pass or Gene Edwards on guitar and Larance Marable or Leroy Henderson on drums) give one a strong sampling of the organist’s talents on a variety of blues, bop standards, and obscure originals.